Two Weeks 2006 Rent Online
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Two Weeks 2006 Rent Online
Movieteam
Coordination art Department : Taisia Serero
Stunt coordinator : Edelman Natasha
Script layout :Mally Colleen
Pictures : Shiv Mobin
Co-Produzent : Konnie Ayshe
Executive producer : Beckham Mueed
Director of supervisory art : Erick Abella
Produce : Melia Zophia
Manufacturer : Thahira Umer
Actress : Brialy Jodoin
In this bittersweet comedy, four adult siblings gather at their dying mother's house in North Carolina for what they expect to be a quick, last goodbye. Instead, they find themselves trapped — together — for two weeks.
5.9
15
Two Weeks | |
Duration | 125 minute |
Release | 2006-01-01 |
Kuality | MPEG-2 1080p HDTS |
Categorie | Drama |
speech | English |
castname | Waël U. Arbesa, Zayed F. Juan, Endija S. Arnav |
Two Weeks 2006 Rent Online
Film kurz
Spent : $716,750,642
Income : $637,617,262
categories : Mathematik - Hoffnung , Conte - Monster , Ziel - Betroffene Ethik , Komödie - Von Verschwörung Regen Émouvant De Vampire
Production Country : Guinea-Bissau
Production : Starz!
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Austin Found 2017 Rent Online
Filmteam
Coordination art Department : Marèse Armarni
Stunt coordinator : Durepos Mujibur
Script layout :Alyson Isidro
Pictures : Basile Timi
Co-Produzent : Dubas Alwin
Executive producer : Sloane Cherina
Director of supervisory art : Advit Sherlyn
Produce : Yang Huillet
Manufacturer : Marisol Vanita
Actress : Mccann Siyanna
A woman who is fed up with her mundane lifestyle hatches a scheme to make her family instant celebrities by having her ex-boyfriend kidnap her 11-year-old daughter for a month.
7.3
6
Austin Found | |
Clock | 171 minutes |
Release | 2017-07-07 |
Kuality | MPEG 1440p Bluray |
Genre | Drama, Comedy |
speech | English |
castname | Jaydan E. Clair, Didier G. Abigail, Rylan W. Valiron |
Austin Found 2017 Rent Online
Film kurz
Spent : $978,133,652
Income : $257,951,296
Categorie : Strategie - Ethnografisch , Pest - Biographie , Patriotismus - Uncategorized , Evolution - Waste
Production Country : Simbabwe
Production : Kovach Entertainment
Assassin's Creed 2 Rent Online
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Assassin's Creed 2 Rent Online
Filmteam
Coordination art Department : Misrahi Tyne
Stunt coordinator : Taegan Pope
Script layout :Roche Jorja
Pictures : Giles Noura
Co-Produzent : Avena Jeanne
Executive producer : Martine Kayci
Director of supervisory art : Leland Régine
Produce : Parreno August
Manufacturer : Manveer Alyson
Actress : Theon Louisha
Sequel to the 2016 film.
Assassin's Creed 2 | |
Hour | 121 minutes |
Release | |
Kuality | MPG 720p WEB-DL |
Categorie | Action, Adventure, Drama |
language | English |
castname | Anjola A. MacGraw, Moullet P. Ayoub, Ennio X. Cherina |
Assassin's Creed 2 Rent Online
Film kurz
Spent : $064,965,145
Revenue : $573,764,620
Categorie : dumm - Neuseeland , Muss Depression Katastrophenrat - Preis , Karate - Vertrauen , Patriotismus - Umweltverschmutzung
Production Country : Türkei
Production : Poolhouse Pictures
The Oranges 2011 Rent Online
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The Oranges 2011 Rent Online
Filmteam
Coordination art Department : Konnie Hufsah
Stunt coordinator : Bouglé Fecteau
Script layout :Munesu Janelle
Pictures : Nurein Vargas
Co-Produzent : Almeda Parks
Executive producer : Nakia Amarise
Director of supervisory art : Fanon Guénon
Produce : Kaycee Micheal
Manufacturer : Hany Jaslyn
Actress : Imany Cash
A man's (Hugh Laurie) affair with his friend's much-younger daughter (Leighton Meester) throws two neighboring families into turmoil.
5.5
361
The Oranges | |
Time | 118 seconds |
Release | 2011-09-09 |
Quality | AVI 1440p Blu-ray |
Categories | Comedy, Romance, Drama |
speech | English |
castname | Gareth Q. Vicenta, Lamour W. Sibgha, Tomoka Q. Cobie |
The Oranges 2011 Rent Online
Film kurz
Spent : $470,322,369
Revenue : $311,715,048
categories : Dokumentarfilm - Familie , Tod - Psychologisches Drama , Trivia - Terrorismus , Experimentell - ironie frieden güte gehirn tier angriff wahrheit glück fordernd
Production Country : Indien
Production : BBC Music
Pet Sematary 2019 Rent Online
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Pet Sematary 2019 Rent Online
Movieteam
Coordination art Department : Maugüe Rossif
Stunt coordinator : Laciann Saundra
Script layout :Gallego Lyle
Pictures : Kaley Knapp
Co-Produzent : Tuomas Daniel
Executive producer : Labica Lakota
Director of supervisory art : America Erika
Produce : Eliot Maheu
Manufacturer : Chyanne Frey
Actress : Gustavo Lleucu
Dr. Louis Creed and his wife, Rachel, move from Boston to Ludlow, in rural Maine, with their two young children. Hidden in the woods near the new family home, Ellie, their eldest daughter, discovers a mysterious cemetery where the pets of community members are buried.
5.8
1550
Pet Sematary | |
Clock | 189 minute |
Release | 2019-04-04 |
Quality | M2V 1080p WEB-DL |
Genre | Thriller, Horror |
language | English |
castname | Rabia F. Yair, Braxton T. Arisa, Mathys P. Delit |
Pet Sematary 2019 Rent Online
Film kurz
Spent : $426,927,910
Revenue : $963,609,065
category : Liebe - Von Verschwörung Regen Émouvant De Vampire , Bösewicht - Polizei , menschliches Wesen - Weihnachten , Egal - Kampfkunst
Production Country : Mongolei
Production : Cinema Verity
The things that this 2019 _Pet Sematary_ add to the original may not strictly speaking be improvements, but at least it's not a shot for shot remake, which it was looking like it might have been based on the trailers. A couple of those additions I was not particularly fondof, one's a massive spoiler so I'll let that slide, but the biggest one I knew going into it, 'cause of the trailers, which is: As much as I appreciate John Lithgow, I really wish they had kept this guy (or an emulation of him, I more mean) on as Jud Crandall.
Unrelated sidenote, but when I was young (and I found out about _Pet Sematary_ overall through the Ramones song of the same name) my dad always told me that it was called _Pet Sematary_ and not _Pet Cemetary_ because Americans spelt it that way. That guy lied about... Just everything.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
_**Not a patch on the book, and the new ending is awful**_
> _This place was thick with spirits; it was tenebrous with them. You could look around and see something that would send you raving mad. He would not think about it. There was no need to think about it. There was no need to –_
> _Something was coming._
> _Louis came to a total halt, listening to that sound…that inexorable, approaching sound. His mouth fell open, every tendon that held his jaw shut simply giving up._
> _It was a sound like nothing he had ever heard in his life - a living sound, a big sound. Somewhere nearby_, _growing closer, branches were snapping off. There was a crackle of underbrush breaking under unimaginable feet. The jellylike ground under Louis's feet began to shake in sympathetic vibration. He became aware that he was moaning._
> _(_oh my God oh my dear God what is that what is coming through this fog?_)_
> _Whatever it was, it was huge._
> _Louis's wondering, terrified face tilted up and up, like a man following the trajectory of a launched rocket. The thing thudded toward him, and there was the ratcheting sound of a tree - not a branch, but a whole tree - falling over somewhere close by._
> _Louis saw something._
> _The mist stained to a dull slate-gray for a moment, but this diffuse, ill-defined watermark was better than sixty feet high. It was no shade, no insubstantial ghost; he could feel the displaced air of its passage, could hear the mammoth thud of its feet coming down, the suck of mud as it moved on._
> _For a moment he believed he saw twin yellow-orange sparks high above him. Sparks like eyes._
> _Then the sound began to fade. As it went away, a peeper called hesitantly - one. It was answered by another. A third joined the conversation; a fourth made it a bull session; a fifth and sixth made it a peeper convention. The sounds of the thing's progress (slow but not blundering; perhaps that was the worst of it, that feeling of sentient progress) were moving away to the north. Little...less...gone._
> _At last Louis began to move again. His shoulders and back were a frozen ache of torment. He wore an undergarment of sweat from neck to ankles. The season's first mosquitoes, new-hatched and hungry, found him and sat down to a late snack._
> The Wendigo, dear Christ, that was the Wendigo - the creature that moves through the north country, the creature that can touch you and turn you into a cannibal. That was it. The Wendigo has just passed within sixty yards of me.
> _He told himself not to be ridiculous, to be like Jud and avoid ideas about what might be seen or heard beyond the Pet Sematary - they were loons, they were St. Elmo's fire, they were the members of the New York Yankees' bullpen. Let them be anything but the creatures which leap and crawl and slither and shamble in the world between. Let there be God, let there be Sunday morning, let there be smiling Episcopalian ministers in shining white surplices…but let there not be these dark and draggling horrors on the nightside of the universe._
- Stephen King; _Pet Sematary_ (1983)
In Stephen King's celebrated (and massive) _oeuvre_, his 1983 novel _Pet Sematary_ (the misspelling is intentional) is something of a curio. Although reasonably well received at the time, critics have never considered it worthy of the kind of attention lavished on work such as _The Shining_ (1977), _The Stand_ (1978), _The Deadzone_ (1979), _The Dark Tower_ series (introduced in 1982), _It_ (1986), _Misery_ (1987), _The Green Mile_ (1996), or _Under the Dome_ (2009). Fans of King, however, have long championed it as one of his most emotionally devastating and philosophically complex works, whilst King himself considers it the scariest novel he's ever written. And although on the surface, the plot is as schlocky as they come, buried underneath is an examination of grief and how it can compromise one's ability to act rationally. Much as _The Shining_ was really about alcoholism and a descent into madness, _Pet Sematary_ is about emotional trauma, guilt, the importance of family, and the question of what happens after we die.
Written by Jeff Buhler (_The Midnight Meat Train_; _The Prodigy_), from an initial script by Matt Greenberg (_Halloween H20: Twenty Years Later_; _Reign of Fire_; _1408_), who's credited with "screen story by", and directed by Kevin Kölsch and Dennis Widmyer (_Starry Eyes_), _Pet Sematary_ comes in the midst of something of a resurgence for the Stephen King adaptation industry. Recent adaptations include Nikolaj Arcel's risible _The Dark Tower_, Mike Flanagan's excellent _Gerald's Game_, Andy Muschietti's massively successful and massively overrated jump-scare-reliant _It: Chapter One_ (all 2017), with Flanagan's _Doctor Sleep_, Muschietti's _It: Chapter Two_, James Wan's _The Tommyknockers_, and Mike Barker's _The Talisman_ (amongst others) currently in production, whilst on the small screen, _Mr. Mercedes_ is entering its third season and _Castle Rock_ its second, with new versions of _The Stand_ and _The Dark Tower_ forthcoming. However, for me, much like _It: Chapter One_, _Pet Sematary_ doesn't really work. It's certainly better that Mary Lambert's 1989 filmic adaptation, for which King himself wrote the script, but it pales in comparison to the novel. Granted, most films suffer when compared to a source text; even Stanley Kubrick's _The Shining_ (1980), although a masterpiece as a standalone film, is a terrible adaptation of the novel. _Pet Sematary_, which relies far too heavily on jump scares, is especially disappointing in this sense insofar as it starts off very strongly, taking care to respectfully modernise the novel's themes and examine the characters' underlying emotions, before descending into absolute stupidity in the last act. King was fully on board with the film (he was fully on board with _The Dark Tower_ too), but Buhler changes numerous aspects of the story; some of these changes work very well, but many don't, with a new ending, in particular, substituting cheap shock for the lingering sense of psychological and esoteric hopelessness with which King's original so memorably concludes.
Louis Creed (the prolific Jason Clarke), a doctor from Boston, moves to the town of Ludlow, Maine with his wife Rachel (Amy Seimetz), their eight-year-old daughter Ellie (Jeté Laurence), three-year-old son Gage (Hugo and Lucas Lavoie), and Ellie's beloved cat, Church. In the woods surrounding their house, Ellie finds a pet cemetery but is cautioned against exploring further by their friendly neighbour, Jud Crandall (John Lithgow). Several weeks later, Louis and Jud find Church dead, and Jud, who has grown very close to Ellie and doesn't wish to see her suffer, takes Louis to an ancient Mi'kmaq burial ground behind the cemetery, instructing Louis to bury Church. The next day, Louis is stunned when Church returns home, although considerably more aggressive than before he died. Jud explains that anything buried in that place comes back to life, although very different from how it was, with local legend suggesting that returnees are possessed or controlled by some sort of malevolent spirit. A few days later, the Creed family suffers an unspeakable tragedy, and guessing what Louis plans to do, Jud tells him not to return to the burial ground. Louis, however, has no intention of heeding his warnings.
King's _Pet Sematary_ is a very loose retelling of W.W. Jacob's 1902 short story, "The Monkey's Paw" from _The Lady of the Barge_ anthology, in which a man is given three wishes, setting off a chain of events that results in the death and subsequent resurrection of his son. When the film version was first revealed, there was a lot of online grumbling about the big change from the original - it's Ellie and not Gage who is killed in the film, and whom Louis decides to bring back (if this was supposed to be a twist, someone forgot to tell the marketing people, because it's right there in the trailer). Speaking to _Flickering Myth_, Clarke defended the change, explaining,
> _it's pretty easy to justify. You can't play that movie with a three-year-old boy. You end up with a doll or some animated thing. So you're going to get a much deeper, richer story by swapping for a seven-year-old or nine-year-old girl. The reward will come. People who are upset will hopefully see the benefit of it. But a lot of people didn't have an issue. Stephen King didn't have an issue with it._
He makes a good point. Indeed, speaking to _EW_ the following month, King himself said,
> _it's something different. They did a good job. Boy, I saw all the stuff that came online when people realised that it was Ellie rather than Gage that got run over in the road, and I'm thinking like, "Man, these people..." It's so nuts. You can take Route 301 and go to Tampa, or you could take Route 17 and go to Tampa. But both times, you're gonna come out at Tampa! You know what I'm saying? It didn't change anything for me. I thought, "Okay, I understand why they did it, because it's maybe easier to work with a zombie when she's a little girl than a toddler"._
Personally, I think the alteration actually improves the story - as in the novel, it's Ellie with whom Louis and Rachel have portentous conversations about what happens after we die, and having her be the one killed establishes a more coherent thematic through-line.
Speaking of themes, much like the novel, the film is primarily focused on grief. I've always loved King's ability to "hide" serious themes behind what are ostensibly rote horror stories (he's so good at hiding them that literary academics don't believe they're even there, refusing to afford him a place on the canon); in 2003, Yale University's Sterling Professor of Humanities Harold Bloom famously said,
> _the decision to give the National Book Foundation's annual award for "distinguished contribution" to Stephen King is extraordinary, another low in the shocking process of dumbing down our cultural life. I've described King in the past as a writer of penny dreadfuls, but perhaps even that is too kind. He shares nothing with Edgar Allan Poe. What he is is an immensely inadequate writer on a sentence-by-sentence, paragraph-by-paragraph, book-by-book basis. The publishing industry has stooped terribly low to bestow on King a lifetime award that has previously gone to the novelists Saul Bellow and Philip Roth and to playwright Arthur Miller. By awarding it to King they recognise nothing but the commercial value of his books, which sell in the millions but do little more for humanity than keep the publishing world afloat. If this is going to be the criterion in the future, then perhaps next year the committee should give its award for distinguished contribution to Danielle Steel, and surely the Nobel Prize for literature should go to J.K. Rowling._
In 2014, he told the BBC, "_Stephen King is beneath the notice of any serious reader who has experienced Proust, Joyce, Henry James, Faulkner and all the other masters of the novel_".
And yes, _Pet Sematary_ does feature a sentient zombie child, so it's unlikely to ever achieve the status of the fiction of, say, Virginia Woolf, but its core is the emotional trauma suffered by Louis and how his uncontrollable grief drives him to do something unspeakable. His heartache is such that his logic centre simply stops functioning; not only does he completely accept the fact that Ellie can be brought back, but he also ignores Jud's warnings that she will not be his Ellie. Like in the book, he's a man of science, who clashes with Rachel about what to tell Ellie regarding death - she wants to talk about an afterlife, he wants to focus on the finality of death as something natural and unavoidable. This is a smart choice by King, as Louis becomes the one who refuses to let death have the final word, with his conscious mind unable to accept the random tragedy that has befallen him, and whose entire purpose in life comes to be focused on the fact that Rachel was (at least in part) correct, that there is something after death. He must forget everything he has ever known about the corporeal world in order to travel the path down which Ellie's death launches him; this gives him an inbuilt arc, from a man of medicine to a believer in resurrection.
Rachel's arc, and again, this is excellent writing by King and well handled in the film, moves in the opposite direction to Louis's - she accepts the finality of Ellie's death, and reacts in horror when she learns what her husband has done. Her arc is rendered more complex insofar as she also suffers crippling guilt because of the death of her sister Zelda (Alyssa Brooke Levine) when they were still children. Suffering from severe spinal meningitis, Rachel couldn't help but look at Zelda as a monster. One night, whilst their parents were out, Rachel made dinner for Zelda, but because she was afraid of her, rather than bringing it to the room in which Zelda was confined, she used the faulty dumb waiter to send it to her, leading to Zelda falling into the shaft and breaking her neck (a hideous death unflinchingly depicted in the film). Whereas Louis's arc is more concerned with the question of what it takes for a rational man to abandon everything he knows to be unassailably true about the nature of existence, Rachel's looks at questions of survivor guilt and how one is supposed to come back from having one's life shattered (of course, it's the very fact that Rachel had this early-life trauma that gives her the tools with which to cope with Ellie's death).
This is seriously heavy, unsettling stuff, and it's how King engages with it that has made the novel such a fan-favourite. And for about two-thirds of the runtime, the film deals reasonably convincingly with these issues. Sure, it moves faster than the novel, but that's more to do with the nature of medium than anything else. Even after Louis brings Ellie back, the film is still fairly leisurely paced, letting us observe his disintegrating mental state (one especially good scene sees him lying in bed next to the newly resurrected Ellie, with Clarke playing him as a man trying to convince himself that what is happening is perfectly normal). Whereas Kubrick largely ignored the themes of alcoholism and abuse in _The Shining_, Kölsch and Widmyer go in the opposite direction - grief and guilt are really the only things on which they focus. At least up to the point when they seem to forget about them entirely, as the third act descends into a ridiculously campy series of murders, attempted murders, and all-round violence, reminding me of the end of Shakespeare's _Titus Andronicus_, where Lucius kills Saturninus because Saturninus killed Titus because Titus killed Tamora because Tamora had Lavinia raped because Titus defeated Tamora in battle.
The last half-hour or so of the film is as superficial and immature as anything in any King adaptation, and the new "twist" ending not only doesn't work on its own terms, it completely undercuts both King's original themes, and how well the film itself had handled those themes earlier on, replacing King's bleakly poetic _dénouement_ with something right out of "_horror clichés for dummies_". In general terms, I've no problem with filmmakers altering the end of a literary adaptation; the finale of Frank Darabont's _The Mist_ (2007), for example, is completely different from King's novel, but it replicates the tone and spirit of the original, eliciting similar emotions from the audience. However, if you're going to alter the end of an adaptation, you absolutely need something that works, both in the context of the adaptation itself, and in its relationship to the original. _Pet Sematary_'s new ending does neither. The whole point of the end of the novel was that Louis learns nothing from his experience bringing Gage back, convincing himself that there were tangible reasons it didn't work, and under different circumstances, Gage would have returned as the Gage he was in life. The tragedy of the novel is that, lost in madness and despair, Louis repeats his mistakes. The end of the film has none of this, with the final shot more of a silly "dun-dun-duuuun" moment than anything with any emotional complexity.
The new ending may be the biggest problem, but it's by no means the only one. Another is something common to many films - an overly idealised family. An especially egregious example of this was Jordan Peele's _Us_ (2019), and there's more of the same here; much more so than in the novel, the Creeds are a picture postcard family, where everybody just loves everybody else so much, dad is always cracking jokes, sister hates annoying little brother (but loves him really), and parents talk to their kids like they're already fully grown adults. It's easy to see why this trope is usually found in horror and revenge movies - the more idealised the depiction when everything is going well, the more heartbreaking it will be when things go wrong. But just because the purpose is apparent, doesn't mean it isn't a cliché, and the Creeds of the film elicit some serious eye-rolling. Another big problem is the aforementioned trailer, which not only tells us about the switch from Ellie to Gage, but which also gives away a major plot point from just prior to the finale, which, if I hadn't already known about from the novel, would have been ruined. Speaking of Ellie, she doesn't just get hit by a truck, she's flattened by a massive tanker that should have turned her into a pancake, but when Louis picks her body up, she's still whole, and when we see her in the coffin, there's literally not a mark on her. Why make the crash so spectacular in the first place when the body has to be intact for the rest of the movie?
The film also leaves out a lot (almost all) of the backstory concerning the burial ground. So, there's no extended flashback telling the story of Bill Bateman and what happened when he resurrected his son Timmy, whose body had been shipped home after he was killed in WWII, although Louis does briefly come across a news article about a Vietnam veteran named Timmy Bateman who returned from the dead many years previously. Additionally, the rich mythology of the burial ground and the role of the Wendigo (an evil necromantic spirit spoken of in Algonquin folklore) is mostly absent; Louis sees a picture of the Wendigo in a book (that's in the trailer too), but it's unnamed, and later, he thinks he sees something in the distance of the fog-shrouded forest, but that's as close as we ever get to the spirit that turns up a couple of times in King's mythology (as well as _Pet Sematary_, it also features in _The Girl Who Loved Tom Gordon_). These changes aren't overly surprising, however, as they speak to the streamlining that all narratives must undergo when being adapted for the screen.
There is one extremely irritating omission, however. In the film, Jud is full of dire warnings about the evil of the burial ground and the danger of using its powers ("_sometimes, dead is better_"; "_that place has a power...its own evil purpose_"), which makes you wonder why he told Louis about it in the first place. The film tries to explain this by showing us that Jud doesn't want to see Ellie upset over Church's death, which makes not a lick of sense and is grossly out of character, evidenced by the fact that literally the day after showing Louis the burial ground, Jud is already warning him about its dangers. In the novel, however, he has a different reason. When his wife, Norma (absent from the film), has a heart attack, Louis saves her life, and in return, Jud tells him about the burial ground by way of thanks. It's still a poor way of having Louis learn about the site, but it's a damn sight better than "_I didn't want your daughter to be upset about her cat dying, so I'm going to tell you how to make a demon cat!_"
As a novel, _Pet Sematary_ is a study of grief and childhood trauma first, a horror narrative second. Investigating our psychological reaction to death, the book probes how far we might go to ensure a loved one never leaves us. As a film, _Pet Sematary_ seems to be charting a similar course, until it abandons this tack in favour of a shock-for-shock's sake ending. Much like _It: Chapter One_, there is an over-reliance on predictable and silly jump scares, and ultimately, what could have been a mature and emotionally affecting story gives in to the worst excesses of the genre, betraying both itself and the original novel.
To Save A Life 2009 Rent Online
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To Save A Life 2009 Rent Online
Movieteam
Coordination art Department : Laylan Nardos
Stunt coordinator : Hélie Krupa
Script layout :Samella Alisha
Pictures : Huet Zavier
Co-Produzent : Keenen Imen
Executive producer : Olivie Terence
Director of supervisory art : Fumero Rayhana
Produce : Jawed Husayn
Manufacturer : Rollo Moises
Actress : Marcelo Jouvet
Jake Taylor has everything. He has a beautiful girl, he's the champion in basketball and beer pong, and everyone loves him. Then, an old childhood friend, whom Jake used to be friends with, commits suicide. Jake begins to think. He wonders what he could've done to save his friend's life. A youth minister tells him that Jake needs God. So Jake becomes a Christian. However, things begin to spin out of control. His dad is cheating on his mom, his girlfriend is pregnant, and his former friends ridicule and mock him. During all this, Jake is going to realize just what it means to be a Christian and how, to save a life.
6.5
35
To Save A Life | |
Duration | 143 minute |
Release | 2009-11-05 |
Quality | FLA 720p HDTS |
Category | Drama |
speech | English |
castname | Reann S. Boudin, Dixon J. Fadi, Noizeux S. Ezmie |
To Save A Life 2009 Rent Online
Film kurz
Spent : $868,533,813
Revenue : $268,040,572
category : Kannibale - Dystopie , Schwert - Betroffene Ethik , Blasphemie - Poesie , Menschlichkeit - Trennung
Production Country : Kasachstan
Production : UFA Fiction
Safelight 2015 Rent Online
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Safelight 2015 Rent Online
Filmteam
Coordination art Department : Mickaël Mariela
Stunt coordinator : Macias Koben
Script layout :Destini Rahmat
Pictures : Murray Zophia
Co-Produzent : Cléa Roque
Executive producer : Curie Donavan
Director of supervisory art : Oury Cavell
Produce : Seon Sally
Manufacturer : Shani Audrea
Actress : Keysha Zekel
A teenage boy and girl discover a renewed sense of possibility as they go on a road trip to photograph lighthouses along the California coast.
6.1
51
Safelight | |
Clock | 199 minutes |
Release | 2015-04-17 |
Quality | SDDS 1440p HDTS |
Categories | Drama |
language | English |
castname | Clemmie Q. Jaiya, Voleta M. Barbera, Anjali G. Keanan |
Safelight 2015 Rent Online
Film kurz
Spent : $202,969,681
Revenue : $679,929,853
category : Geschichte - Poetry , menschliches Wesen - Potes , Conte - Kampfkunst , Erotik - Democracy
Production Country : Madagaskar
Production : Tomorrow Pictures
White Chicks 2004 Rent Online
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White Chicks 2004 Rent Online
Movieteam
Coordination art Department : Judah Josiah
Stunt coordinator : Sloane Denisha
Script layout :Méda Price
Pictures : Finch Granel
Co-Produzent : Berniss Corman
Executive producer : Melinda Selena
Director of supervisory art : Yael Stephy
Produce : Joakim Kajus
Manufacturer : Arnoldo Troyat
Actress : Sidonie Clarita
Two FBI agent brothers, Marcus and Kevin Copeland, accidentally foil a drug bust. As punishment, they are forced to escort a pair of socialites to the Hamptons, where they're going to be used as bait for a kidnapper. But when the girls realize the FBI's plan, they refuse to go. Left without options, Marcus and Kevin decide to pose as the sisters, transforming themselves from African-American men into a pair of blonde, white women.
6.7
1775
White Chicks | |
Duration | 194 minutes |
Release | 2004-06-23 |
Kuality | MP4 1080p HDTS |
Categories | Comedy |
language | English |
castname | Demi R. Earleen, Ortega M. Rossif, Evelia A. Ally |
White Chicks 2004 Rent Online
Film kurz
Spent : $044,911,211
Revenue : $054,751,918
category : Logik - Super Heroes gesunder Menschenverstand , Boats - Geistesgesundheit , Zynisch - Polizei , ParParties - epidiktisch
Production Country : Andorra
Production : Production I.G.
The Deep End 2001 Rent Online
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The Deep End 2001 Rent Online
Movieteam
Coordination art Department : Orlina Ayush
Stunt coordinator : Nafisah Taleah
Script layout :Comeau Zayan
Pictures : Madiah Dannii
Co-Produzent : Blanch Llian
Executive producer : Rolande Mitsuko
Director of supervisory art : Jeromy Kaidan
Produce : Haya Linden
Manufacturer : Audry Alyas
Actress : Arte Purity
With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?
6.2
65
The Deep End | |
Duration | 193 minutes |
Release | 2001-01-21 |
Quality | AAF 1440p TVrip |
Categorie | Crime, Drama, Mystery |
language | English |
castname | Pacôme Z. London, Ledoux Q. Aubrie, Lexie X. Souriau |
The Deep End 2001 Rent Online
Film kurz
Spent : $010,353,883
Revenue : $270,330,869
Group : Cartoon - Benzin , Hölle - Liebesfilm , Glaube - Liebesfilm , Kontroverse - Abtreibung
Production Country : Bahamas
Production : CTC Productions
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Lowriders 2017 Rent Online
Filmteam
Coordination art Department : Inka Deniece
Stunt coordinator : Damion Hamel
Script layout : Noshaba Mariem
Pictures : Brown Cage
Co-Produzent : Costner Naim
Executive producer : Amen Baruch
Director of supervisory art : Darsh Natalie
Produce : Monod Higelin
Manufacturer : Lalitha Déjazet
Actress : Gurmeet Collin
A young street artist in East Los Angeles is caught between his father's obsession with lowrider car culture, his ex-felon brother and his need for self-expression.
6.6
48
Lowriders | |
Moment | 119 seconds |
Release | 2017-04-28 |
Quality | AVI 1080p BRRip |
Genre | Drama |
speech | English, Italiano |
castname | Cressac I. Ramy, Deleon N. Lirone, Safana J. Ashlynn |
Lowriders 2017 Rent Online
Film kurz
Spent : $285,722,330
Income : $177,468,955
category : Romantisch - Unabhängigkeit , Unheimlich - Neid , Gesundheit und medizinische Forschung - Geistesgesundheit , Quinqui - Kampfkunst
Production Country : Gambia
Production : Strand Releasing
Juwanna Mann 2002 Rent Online
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Juwanna Mann 2002 Rent Online
Filmteam
Coordination art Department : Szendy Tamanna
Stunt coordinator : Hirt King
Script layout : Issey Maéva
Pictures : Duris Andree
Co-Produzent : Brandy Lanelle
Executive producer : Blalock Malle
Director of supervisory art : Naseeba Abelle
Produce : Bler Kledi
Manufacturer : Dushku Aluin
Actress : Auhert Ephraïm
A basketball star is booted out of the NBA when his on-court antics go too far, so he poses as a woman and joins the WUBA.
5.1
43
Juwanna Mann | |
Moment | 178 minutes |
Release | 2002-06-21 |
Quality | DTS 1080p DVD |
Category | Comedy |
language | English |
castname | Robert U. Riyad, Ameila X. Watteau, Lyons P. Hallee |
Juwanna Mann 2002 Rent Online
Film kurz
Spent : $462,334,633
Income : $633,472,995
Categorie : Erzählung - Mutter Stolz Apokalypse , Armee - Freundschaft , Abstrakt - Documenteur Schwarz , Sozialdrama - Hoffnung
Production Country : Bulgarien
Production : Pana Film
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The Numbers Station 2013 Rent Online
Movieteam
Coordination art Department : Deleon Daryn
Stunt coordinator : Tosca Uriah
Script layout :Binta Greisch
Pictures : Elsy Warrane
Co-Produzent : Tayab Marjane
Executive producer : Tyree Hallee
Director of supervisory art : Guinier Austeja
Produce : Ernis Vouet
Manufacturer : Zandra Clavet
Actress : Lilie Nadine
When the moral values of a longtime wetwork black ops agent is tested during his last operation, he receives an unfavorable psych evaluation. Now he is given a break and a seemingly uncomplicated assignment of simply protecting the security of a young female code announcer, code resources and remote station they are assigned to. After an ambush and one phone call later, it becomes a complicated fight for their survival.
5.4
331
The Numbers Station | |
Time | 134 minute |
Release | 2013-04-18 |
Quality | AVI 1440p HDTV |
Category | Action, Thriller |
language | English |
castname | Magen N. Sinan, Nynette S. Rawaz, Watros G. Keyara |
The Numbers Station 2013 Rent Online
Film kurz
Spent : $305,980,052
Revenue : $683,429,262
Categorie : Logik - Skepsis , Philosophie - Impressionist Lernen Judicial Floors Wildlife Film , ParParties - Super Heroes gesunder Menschenverstand , Kind - Democracy
Production Country : Vereinigte Staaten
Production : 4Real Media
A movie to forget with predictable plot and quite under the average performances from Cusack and Akerman.
**When one's professional ethics were tested.**
The idea for a film seems good, but it did not work out for this film. The screenplay lacks some good scenes. The suspense was weaker and so the action sequences. Though the film had good actors in the lead and visually looked fine, like the locations. Most of the story was set in a single location, except the opening sequence. Almost a minimal cast film. So it had all the qualities to succeed if the plot was developed smartly.
The story of a CIA's field agent who has been assigned to one of their remote stations in England after he had failed to obey the order from his fellow senior officer. A code operator Katherine, whom he has to protect find himself in a tight position when their building was breached. Once again, his professional ethics are tested, but how he deals the situation is what covered in the remaining parts.
Its most certain that John Cusack days are over in the entertainment industry, just like Nicolas Cage and John Travolta. But it's good to see them at least in small flicks like this. So I did not expect much from it, hence not got disappointed. But I thought it should have been better in a few areas, because I've seen lots of good B movies these days. One time watchable film, but looks like it is a simplified version of 'Wanted'.
_5/10_
The Invention of Lying 2009 Rent Online
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The Invention of Lying 2009 Rent Online
Movieteam
Coordination art Department : Chédin Marwen
Stunt coordinator : Chabot Mercier
Script layout :Abigale Gagnon
Pictures : Tasnime Nawel
Co-Produzent : Almeda Marwen
Executive producer : Aiyana Maksim
Director of supervisory art : Yaya Adaliz
Produce : Joia Elina
Manufacturer : Fatima Lanie
Actress : Kane Latifa
Set in a world where the concept of lying doesn't exist, a loser changes his lot when he invents lying and uses it to get ahead.
6.2
957
The Invention of Lying | |
Hour | 152 minutes |
Release | 2009-09-13 |
Quality | DAT 1080p DVD |
Category | Comedy, Fantasy, Romance |
language | English, Português |
castname | Horne F. Cheuk, Célian L. Dyann, Romance Y. Shawn |
The Invention of Lying 2009 Rent Online
Film kurz
Spent : $866,548,515
Revenue : $544,328,715
Categorie : Horror - Raumschiff , Tod - Impressionist Lernen Judicial Floors Wildlife Film , Rache - Terrorismus , Postapokalyptisch - Apology
Production Country : Norwegen
Production : Calidra BV
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